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the preacher's wife
The Preacher's Wife

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quote

Marguerite Coleman: Things haven't changed since Adam, and he gave up one of his ribs so he'd have somebody to keep things from.

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Source: rec.art.movies.reviews newsgroup
Rating: 3
The major revision is that the film goes from being a full fledged movie to a good sitcom episode. The actors are pleasant enough, and there are several nice chuckles, but Marshall is content with letting everyone glide along on autopilot.

Bestowing on holiday audiences a film that teaches good morals and is for the whole family is definitely commendable. And certainly, funny little sitcoms are a popular form of entertainment. It is just that movie goers usually expect a more substantial gift. They want their presents trimmed with more involving characters and with a director with a keener eye for humor.

Looking on the good side of Penny Marshall's gift to us, THE PREACHER'S WIFE is a good spirited movie even if it is terminally lightweight.

The Rev. Henry Biggs (Courtney B. Vance) has a church in a poor section of town that is falling apart. The boiler is busted and the church is broke. You may remember Vance from THE LAST SUPPER where he was excellent as the most sinister member of a band of liberals who murdered conservatives to improve the breed. Here his performance is reduced to smiling a lot. He gives the least believable and most uninteresting characterization in the film. Vance is a much better actor than his work here demonstrates.

Always reliable Denzel Washington plays the angel Dudley, who comes down to earth to help the preacher. He explains to Henry that, "You have no idea what the competition is like just to be sent down here." Marshall has Washington play his part very low key so that you forget he is an angel. Denzel Washington's talent manages to shine through Marshall's overly mellow approach.

Whitney Houston has a soothing voice and gets to sing many a tune in the show as she plays the preacher's wife Julia. Houston's specialty, as illustrated by her work in THE BODYGUARD, is to provide the foundation about which the other stars build the movie. Kevin Costner provided the interest in THE BODYGUARD, and Houston's character was little more than focal point for the story line. Similarly in THE PREACHER'S WIFE she provides the tension between Henry and Dudley.

The script gives Houston some good lines, but she is not convincing. A putative romance between Dudley and her is little more than a couple of humorously raised eyebrows between them.

Gregory Hines plays superrich developer Joe Hamilton who wants to tear down the old church and put Henry into new digs. Joe has designed a crystal palace of a church complete with daycare center, senior citizen's facility and "a new clientele" for Henry. Joe paints a vision so attractive that the pressure is on for Henry to sale his soul to this entrepreneurial devil.

The sets and the costumes for the movie pose a problem. Whereas the exterior shots are full of graffiti filled walls and the discussions are of poverty, the people look, act, and dress firmly middle class. The rectory looks like something a wealthy church on Fifth Avenue might provide for its minister.

Although the meantime between laughs is longer than it should be, the picture does have its moments. My favorite is when Dudley comes upon a "fish typewriter" in the office. When the aquarium screensaver on the PC switches to the Microsoft Windows logo, Dudley consults the official "Angel's Handbook." This well-worn bible of religious canons has a page with the Microsoft Windows logo so that the angels can recognize mankind's key secular insignia. The Silicon Valley audience at the press screening laughed harder at this scene than any other.

More typical of the humor is the repartee among the leads. Henry defends his mother with, "She wasn't that fat." But, Julia throws it back to him with, "Policeman saw your mama come walking down the street, he'd yell, 'break it up.'"

Jenifer Lewis, as Julia's mother Marguerite Coleman, steals most of her scenes. The mother is a philosopher with an acerbic tongue. She tells her daughter, "Things haven't changed since Adam, and he gave up one of his ribs so he'd have somebody to keep things from."

In a Christmas movie season that glorifies finding a Turboman action figure for your son because "whoever doesn't is going to be a real loser," the story here comes to a refreshingly different resolution. The Biggs get their son Jeremiah (Justin Pierre Edmund) something for Christmas that truly embodies the spirit of the Christ child. This concluding aspect of the movie pushed me over the edge into being able to recommend what is otherwise a lame comedy and a lightweight remake.

THE PREACHER'S WIFE runs about 1:45 I think, but the press kit does not give the time. There are two uses of the word hell as an expletive that push the rating from G to PG. There is no sex, nudity, violence, or other profanity. The movie can be seen by the whole family, but the slowness of the pacing will probably lose the interest of those under eight. I give the film a marginal thumbs up and a rating of ** 1/2.

By : Steve Rhodes


Source: rec.art.movies.reviews newsgroup
Rating: 4
THE PREACHER'S WIFE is a two-hour Hallmark card -- sappy and unoriginal yet uplifting and touching. Yes, I'm a sarcastic cynic, but even I can put that aside when a decent feel-good movie comes along, especially these morally-sound musical comedies with a black female lead (SISTER ACT, anybody?). THE PREACHER'S WIFE is a positive movie about the comraderie of a black community like only a white woman could tell it... I didn't say I was going to set the sarcasm _completely_ aside.

Denzel Washington plays an angel sent to lend assistance to a preacher (Courtney B. Vance) and his family. Whitney Houston, of course, plays the preacher's wife, a gospel-singing woman who finds her husband has less and less time for her as troubles mount in the church and community. Their son's best friend is being sent away to a foster family, a local kid is charged with armed robbery, the church boiler is shot and a greedy local businessman (Gregory Hines) is buying up all the property in sight. Predictably, these problems only exist to be solved by Denzel the Anzel... excuse me, the Angel...

Courtney is hard to convince at first, even after Denzel pops up three consecutive times when Courtney prays for divine help. And all Denzel's talk of an angel handbook and the three rules he has to abide by (don't expose him to sunlight, don't get him wet, don't feed him after midnight) seems more than a little odd, but the preacher's family easily accepts him as Courtney's new assistant.

Two of THE PREACHER'S WIFE's best comic performances are from Whitney's WAITING TO EXHALE compatriot Loretta Devine, as Courtney's secretary, and Jenifer Lewis in the role of Whitney's mother. In a movie that asks us to believe angels are among us, the fact that Whitney's mom looks young enough to be her sister is infinitely less believable.

Denzel almost assumes Courtney's roles for awhile, serving as father-figure for their son, doing church paperwork and even taking Whitney dancing at Jazzie's, a club frequented by Lionel Richie. (Actually, I think Lionel works there as part-time bartender to supplement his paltry "All Night Long" and "We Are the World" royalties.) This causes a little heavenly strife and even prompts Courtney to say the h-word, but rest assured all will end happily.

As always, the soundtrack comes courtesy of Whitney Houston herself and, just like the last two times, is billed as "the soundtrack event of the year." She doesn't even make albums anymore, just soundtracks. Unlike THE BODYGUARD or WAITING TO EXHALE, though, her musical contributions to THE PREACHER'S WIFE give the movie its identity. Songs like "I Love the Lord" and "The Lord Is My Shepherd," most of which feature the Georgia Mass Choir, could singlehandedly make gospel music radio-friendly. Lyrics saying God is "bigger than a Shaq attack," though, probably won't go over big with the kids. Trust me.

Penny Marshall, who directed this remake of Cary Grant's THE BISHOP'S WIFE, did an admirable job making this movie attractive holiday fluff that elevates itself above the mediocre mush you'd expect. She followed the recipe for a feel-good Christmas movie and came up with something tasty, not just the usual PRANCER fruitcake. Remaking it with a black cast was her best idea -- it's the appeal of Denzel, Whitney and the supporting cast that make the movie fun to watch. THE PREACHER'S WIFE is a safe movie for all ages, and I imagine more than a few church youth groups will be taking trips to the movie theater this Christmas season.

By : Andrew Hicks

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